This challenging, experimental piece of work is an amalgamation of three prime concepts; Low Cost, Reuse of Materials and Minimalist Approach. Consequently, the house is small, extremely simple and has reduced only to its minimum essentials, thus costing less. Transcending the social stigma on reuse in our social cultural context, Sagara attempts this concept in multiple means, both in-direct and direct re-use is manifested in this inimitable house and material re-use dominates over concept re-use. The re-use of furniture, door and window sashes, ornaments and statues obtained from various places belonging to various eras have been united in a single piece of work under one theme. This is an ideal exemplar which has achieved unity within multiplicity.